Old film print LUTs are for Blockbuster. This LUT is for Netflix.

It's 2022, and working scene-referred with reliable color-management is a must. HDR and Dolby Vision are becoming standard, especially if you want to work on bigger projects, and soon every video will have an HDR grade. Most LUTs out there won't cut it, they aren't adapted for this type of workflow.

This beautiful Kodak 2383 LUT has been built to work scene-referred within either ACES or DaVinci Wide Gamut, and will give you the results you want whether you're grading for SDR, HDR, or any of the flavors in between.

    Where would you say you are on your colorist journey?

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